Madame Bovary and Written on the body Essay

Madame Bovary and written on the body, penned by Gustave Flaubert and Jeanette Winterson respectively, encapsulate the essence of sexuality while breaking free of the stigma attached to it. The bring throughs of both(prenominal)(prenominal) the protagonists from these whole shebang reflect a complete divorce of the influence of their sexual activitys from the course of action they similarlyk. The ambiguity of the sex of Wintersons character along with the Volatile temper of Flauberts Emma twist galore(postnominal) facets of gender and monastic order together into stiff plots. two are narratives of the highest order and equally reflect ideas which are considered radical. Both novels place sexual structures and explanations of gender into question, i. e. is the male sex really higher-ranking? Are charr really constricted by their femininity? by means of the narrative on Emma we get a taste of a adult female who goes again societal norms and at times acts more masculin e than feminine. and so we pay the I-narrator in Wintersons novel that continually transcends boundaries set for sexes because of his/her birth unidentified and undefined gender.Similarly, champion would give to notice that Wintersons novel shuns sexes completely. Instead of fakeing within a space where there is a fixed gender, which is further placed into a categorically constructed culture and society in order to pinpoint the wants and needs of an individual, we are left with imagery that shows us a being, which has an identity and subsequently wants and needs things based on that identity. (Sonnenberg 3) Typical to this position both the characters tip toe around the limitations of the sexes.This is the apprehension Wintersons character is easy to compare to Emma. The novels negate the traditional roles of the sexes, in particular they negate the role of women as passive object of geographic expedition by hold fasting masculine paradigms, that withal in lastly reject ing such models in favor of reciprocity, they becomes an almost perfect illustration of a refusal of the role of cleaning lady and also the refusal of the economic, ideological, and political power of a man. The actions of both characters set them apart from normal behavior (Maynard, Purvis 151).One has to wonder whether Emma is a victim in the traditional sense or has the author by design d protestplayed the masculinity of the three main male characters i. e. Charles, Leon and Rodolphe. (Porter 263). The character does not follow the norms of one and only(a) gender. This was the reason that Flauberts novel was greatly protested. On one pass along she is extremely feminine but on the separate hand she has extremely masculine markers in her personality. It was Charles Baudelaire who pointed push through that Emmas desires masculinized her, and he tagged her a bizarre androgyne. In reality, in the background of the nineteenth-century French anticipations or so womens conduct, E mmas blatant sexuality and far-reaching aspiration did stand out as alien and unacceptable, as the trial of Madame Bovary on allegations of violating public moral philosophy showed. (Porter 124). She is definitely feminine in many ways, but very soft slips into the lead of forefront of her relationships which is usually reserved for the male counterseparate. An example of this would be her relationship with Leon and also the fact that she wore monocles which was highly unlikely for a woman of that day and age.Likewise the I-narrator in Written on the body seems to be neither male nor female. As tempting as it would be, it does not work for the reader to search for the gender clues in this character, the mention of a shirt, a nipple, a motorcycle for none of these provides conclusive evidence, there are however, many hints that suggest that the character is in fact female such as the description s/he awards to the objective of his/her affection i. e. Louise.It is that very fact whi ch throws the plot into controversy a plain tale of adultery would have been rather poetic, one which is filled with ambiguity and revolves around a woman stealing another mans wife is highly bizarre (Farwell 187). Explaining Emmas character, Laurence ostiary writes, Naomi Schor described Emma as a woman who desired to break the chemical chain of passive femininity but who fails to accede to the phallic writing state. Roger Huss centers similarly on the impossibility of Emmas incorporation of the masculine, the impossibility of gender plentitude, and the business of the different itself. (Porter 125). In a earth where men ruled supreme, Emmas charm stemmed from her education which had taken away some parts of her femininity because of the knowledge she had gained. She was now a part of the male world whether anyone admitted her into that world or not was not even a question. In the same way as the protagonist in Written on the body, who, if indeed a lesbian, failed to separate herself from the masculine side of her personality, and if a man, shake off short of acting like the traditional Alpha. Another comparison could be the ideology of distinguish and in fact the myth of romance.The protagonists of both novels have a very cliched understanding of love. They are deluded with their preconceived notions almost love and how it is meant to play out in their lives. Emma becomes depressed with her life and her mating because of this very fact. The narrator in Written on the body also feels the same, which is reflected in the following words, I was trapped in a cliche every bit as redundant as my parents roses round the door, I was looking for the perfect coupling, the never-sleep-non-stop mighty orgasm. Ecstasy without end.I was deep in the slop-bucket of romance, (Written on the body 21). They are both looking for something which is basically too idealistic and utopian in nature to really exist. One more front on which both the novels collide is adulter y. Both the protagonists wholeheartedly indulge. Emma does it by cheating on her husband not once but twice. She craves the grade of love that she had read about in her books and goes around looking for it money box she finds it in Leon and Rodolphe. Wintersons character is also infatuated with the idea of love and goes looking for it in the arms of another mans wife.thither seems to be nothing that can stop the two and their own self-centred motives are the only ones they care about. The character in Written on the body seems to be a narcissist who cares for no one but him/herself. Emma is indeed selfish in the same way because she cares only for her own self-satisfaction and disregards the pain she could cause her husband when she finds out about her affairs. Madame Bovary reflects the 19th century French society, while Wintersons expose is from more juvenile times.What the works show us is that sexuality and gender have been conflicted since a long time and continue to stay s o. Society will continuously gape and be appalled at such pieces of literature because they go against the dead rules that have been constructed for the existence of mankind. Traditionally men and women have both been assigned their places in the world and those places are not to be tampered with one of the most sensitive areas one can go experimenting with is sexuality. In some ways both works reflect how anyone from a particular gender cannot stay happy once it has tasted the waters from the other side.The knowledge of the other side gives them an insane desire to climb onto it repeatedly, thereby causing skirmish and in fact a chaotic contradiction the roles that society had already laid out for them.Work Cited Farwell, Marilyn R Heterosexual Plots and Lesbian Narratives 1996 Flaubert, Gustave Madame Bovary 2004 Maynard, bloody shame & Purvis, June Hetero) sexual Politics 1995 Porter, Laurence M A Gustave Flaubert encyclopaedia 2001 Sonnenberg Body protrude and Identity in Jea nette Wintersons Written on the Body 2007 Winterson, Jeanette Written on the Body 1994