Music Appreciation Essay

The concert was at the Thayer H only, a fine read of the art facility that is home for the schools concerts, recitals, and other characters. It holds up to 200 wad, theater row seating, and the st period is set up plumb block to the first row seats which gives the performance a to a broader extent person adequate feel to the audience. The wooden floor face had a beautiful grand Steinway and Sons Piano set off to the side, that was moved ulterior in the middle for the performance of Clarinet Sonata in E-flat Major, Op. 167.The first wear round on the design was Ricochet, imperturbable by Kerry Turner. It was one of Turners sleeping room medication ensemble, performed by a brass quintet two trumpets, horn, trombone, and tuba. The composition was energetic, skillfully vie by the quintet in a manner that depicts action journey fast paced to get to the desired place and upon reaching it thither is a slowing polish pace of life either in peace or dismay.The second piece w as Clarinet Sonata in E-flat Major, Op. 167 by Camille Saint-Saens. This piece was performed with two instruments namely clarinet and easy. It had a slow movement, opening with tender, melodies that seemed effortless, up and down tempo, whispering softly. This was a short piece compared to other pieces in the program. It had a romantic voice and more consonance, harmonious, and cantabile movement.Camille Saint-Saens was born in genus capital of France on October 9, 1835. His father died when he was a baby, after only having been matrimonial to his mother, Clemence a year and a day. His great aunt, Charlotte Mason, who was a learned person, besides became a widow. The two ladies reared and provided for Camille Saint-Saens. He received his introduction to keyboarding from his great aunt at the age of two and a half. He was playing sonatas by the age of five years old. He was writing dance medicament at the age of 15. According to his auto biography (p.7) Liszt had to show by hi s Galop Chromatique thedistinction that genius can give to the most commonplace themes My waltzes were better. As has always been the case with me I was already composing the medicinal drug presently on paper with working it out on the piano. http//books.google.com/books?id=MOcPAAAAYAAJ&dq=camille%20saint-saens&pg=PA8v=onepage&q=camille%20saint-saens&f=false As Camille later in his life looked over his composition, there was no error in it techni beseechy, which is quite significant considering he did non have the basic drive inledge of the science of harmony. Camille Saint-Saens, by the age of ten, gave concert played Beethovens Concerto in C minor and in like manner Mozarts concertos in B flat.He became the organist at the Church of Madeleine, which was a highly regarded identify. He was well known in Paris. A star topology who had win prizes for his compositions Introduction et rondo capriccioso (1863) as well as the number Piano Concerto (1868). He held a post at Ecole Niedermayer during 1861 and 1865 as a piano professor. He had built life-long friendship with one of his students Gabriel Faure, one of the great composers of the 19th century and early 20th century. He would be what we would call a renaissance man, for his many gifts and interests. He was interested in information and likewise a mathematician. During his later years, an avid traveler and writer wrote near his travels, poetry, and philosophical work. His work continued to be inspired by Franz Liszt and Richard Wagner, composed symphonic poems including Danse Macabre in 1874. He is overly known for his opera Samson et Dalila. He died in 1921, in Algeria. https//www.sfcv.org/learn/composer-gallery/saint-sans-camille Sources The following websites retrieved on November 29, 2014.The third piece was composed by Giacomo Miluccio, Rhapsody for Clarinet (ca. 1979). This beautiful and technically onerous piece was a solo for clarinet. This piece started off slow, with low pitch shot then increased in tempo with increasing pitch as well, that continues to a call and response type harmony, transitioning to dissonance, to slow low grief notes, then picks up to a livelier mood. This piece evoked an uncomfortable tonicity inside me, sort of giving a harmony background to my emotions when I am uneasy, frantic, loosing my sense of direction. I personally would not select this euphony to unwind after a long day at work.The poop was selections from Divertissement for Oboe, Clarinet, and Bassoon (1927) composed by Erwin Schulhoff, three movements were played. The Charleston Allegro began with a brigh tang, welfare rhythm, producing dance to the worry of the music. The second movement, Romancero Andantino sounded playful, with the individual instruments playing consecutively in the introduction playing the same note. The tempo is more andantino, relaxed and mezzo forte. The out conclusion movement was the Rondo-Finale Molto Allegro con fuoco, it featured a liv ely theme, faster tempo (prestissimo), many repeated tones playful notes with all instruments, and concluded fortissimo rushing at the end.The fifth piece was suite daprs Corrette, by Darius Milhaud. This had four movements included in the program, memory access et Rondeau, Tambourin, Musette and Le Coucou. Each of the four movements had very playful melody.Darius Milhaud, iodin of Frances leading composer of the 20th century. He was born to a Judaic family in Aix-en-Provence. His parents Judaic family line came from the Comtadin sect that has been well formal in France for hundreds of years and the Italian Sephardim. http//www.anb.org/articles/18/18-03766.htmlBoth of his parents had melodious talents and had been playing music with his parents from his early childhood. He learned to play the violin at age 4. At the age of 17, Milhaud went to school at Paris Conservatoire where he ended up focusing on piano and composition, having the musical exercise of top French composers like Paul Dukas, Charles Marie Widor (fugue), Andre Gedalge (counterpoint, composition, and orchestration) Nadia Boulanger, Maurice Ravel, George Enesco, Jacques Ibert were his students. http//www.classical.net/music/comp.lst/milhaud.phpMilhaud and poet, Paul Claudel established a long collaborative relationship where Milhaud would compose incidental music, objet dart Claudel will produce libretti for Milhauds works. Their friendship began when he served as a French attache in Rio de Janeiro in the First World War. http//www.allmusic.com/ artisan/darius-milhaud-mn0001175393/biographyHe became part of Les Six, a group of fashionable French composers under the supervision of blue jean Cocteau. The group did not last very long, and had only been able to put together some piano pieces together as a whole group namely, L phonograph album des Six. http//www.classicalarchives.com/composer/3012.htmltvf=tracks&tv=about http//en.wikipedia.org/wiki/Les_SixDuring his tours to foreign countr ies such as the U.S.A., Brazil, Vienna, capital of the United Kingdom and the U.S.S.R., where he had quickly absorbed the various musical influences of these regions like sleep with and Brazilian music.In 1939, he left France after the Nazi installed the Vichy government activity and many of his Jewish relatives were murdered by the Nazi Germans. An invitation to conduct at the Chicago Symphony, had given his family a eonly exit visa. Through a friend of his, a famous French conductor then at the San Francisco Symphony as a conductor, Pierre Monteux, organized a direction post for Milhaud at Mills College in Oakland, California. He is often comprehend as the champion of polytonality.He may not be the journeyman of this technique, he was able to use the technique to its possibilities. He produced at least(prenominal) 440 music pieces, including 12 ballets, nine operas, 12 symphonies, six chamber symphonies, 18 string quartet. He also continued to show his identity with France and the Jewish religion though his music. He later returned to France and kept a standardized teaching post at Paris Conservatoire until 1971 along with his post in Mills College. http//www.classicalarchives.com/composer/3012.htmltvf=tracks&tv=about He died in 1974.http//www.milkenarchive.org/people/view/all/574/Darius+Milhaud Sources All websites retrieved on November 30, 2014The final piece was Divertissement for Oboe, Clarinet, and Bassoon by Jean Franaix. The first movement was allegretto assai, it had a fast beat and very playful. This piece had a lot of dissonance. The Elegie had low pitch, the bassoon was setting the tone to a mournful sound, played inharmony by the clarinet and oboe. The Scherzo, was the last movement played, it had a lot of energy, moving very fast. It sounded like a music for dancing, with contrasting tone color.Jean Franaix was born to a family of musicians on May 23, 1912. His father, Alfred Franaix spent sixteen years as the director for the Le Mans Con servatory of Music. His mother was a teacher and choir director also at the Conservatory. He had an early music influence, started skill piano at four, at ten he was taking music lessons with Isidor Philipp,whose long list of students were significant pianists, composers, and conductors, who was also a long time friend of Claude Debussy. http//en.wikipedia.org/wiki/Isidor_Philipp Franaix, also studied music with Nadia Boulanger, who was a French composer, conductor, who also had a long list of well known students of musicians and composers of the 20th century. Jean Franaix at ten years old, composed Pour Jacqueline in honor of his cousin, and was published after two years. http//www.classicalarchives.com/composer/2535.htmltvf=tracks&tv=aboutHe met Maurice Ravel in 1923, who had encouraged the young Franaix, to pursue his path that he is currently taking. He won the first prize at the Paris Conservatoire when he was 18. In 1932, he successfully gained popularity at the prime(a) pe rformance of his Concertino for Piano and Orchestra at the Baden-Baden Chamber Music Festival, in Germany. He became sought after after this that he was commissioned to write music for sixteen ballets. He had completed and extensive collection of works including orchestral works, film music, vocal works as well as chamber music. He served at Ecole Normale de Musique in Paris teaching from 1959 to 1962.According to Schott music website, although Jean Franaix had exposure, influence, and fondness for the French Impressionism and the Neoclassicism, and his close relationship with Francis Pulenc and the Groupe stilboestrol Six, Jean Franaix never felt committed to any event musical ideology. http//www.schott-music.com/shop/persons/featured/jean-francaix/ Jean Franaix died in 1997, his major work, written in 1939, The Apocalypse of Saint John, first performed in 1942, and was later played at his memorialservice at Le Mans cathedral in 1999. http//www.classicalarchives.com/composer/25 35.htmltvf=tracks&tv=about (Sources all websites retrieved on November 30, 2014)The center stages design seemed very intimate to me in terms of the close proximity of the audience to the performers. From where I was sitting (left side, third row from the stage), I noticed that the instrumentalist were exchanging glances, waiting or taking the lead with each melody. I noticed that the instrumentalist had to tune their instruments before they start their pieces. They also seem to be constantly licking their lips. One striking event that I noticed, that I probably will not notice at a different venue where the stage is at a farther distance to the audience, is that the instrumentalists that played as a group, had a way of communication with each other by glances and nods, whether to play solo, duo or trio.They played their musical instruments with such grace and poise. The moment the instrumentalist started performing the audience were very enthralled with the sound of the music. It was quite a life enriching experience. at that place was certain beauty and somewhat felt spiritual as I watch the instrumentalist play fantastic sounds with each of their instruments. The Colburn Conservatory naturalize director welcomed the audience to the concert and with pride mentioned that most of their students have won the Pasadena Showcase House Instrumental Competition.Jay,I am hoping if you would be able to help me describe the following. I dont exactly know how to go about writing description of this final music pieces. If you can, I would really appreciate it.7. A full description of the final musical piece on the concert 10 pointsDivertissement for Oboe, Clarinet, and Bassoon by Jean Franaix, 1912-1997 overture https//www.youtube.com/watch?v=XQywosBYkacAllegretto Assai https//www.youtube.com/watch?v=W682MdjDb4o